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Dual-tone gowns of pink and red ruled the Emmys carpet

Billy Porter, winner of the award for outstanding lead actor in a drama series for "Pose," poses in the press room at the 71st Primetime Emmy Awards on Sunday, Sept. 22, 2019, at the Microsoft Theater in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

NEW YORK — Did someone send a memo? Taraji P. Henson, Zoe Kazan, Susan Kelechi Watson, Mandy Moore and Marisa Tomei all showed up to the Emmys in two-tone looks of pink and red that stood out on the awards’ purple carpet.

The dual tones were the strongest trend among the women on Sunday night, where outfits from Zendaya, Gwendoline Christie and current red carpet darling Billy Porter also turned heads.

While it’s common to see many stars wearing a certain colour, the combination of pink and red was particularly eye popping on the Emmys purple carpet.

“With many also showcasing ’80s hints of bold shoulders, it shows an emerging optimism on the red carpet and a willingness to have a little fun with fashion,” said Kerry Pieri, the fashion and features director for HarpersBazaar.com.

Henson’s French tulle gown with a sheer red cape was custom Vera Wang Collection. Kazan’s black, magenta and pink silk gown with bow detail was Gucci. Badgley Mischka created Kelechi Watson’s version, in ruby crepe with blush pink sleeves that fell off the shoulder. Moore wore Brandon Maxwell, a pink twill gazar blouse with a red crepe cummerbund skirt.

Corsets, too, had a wow moment. Indya Moore wore white Louis Vuitton and Zendaya rocked Vera Wang in green with a daring top.

“Both also had slits up to there, making this the current approach to something sexy. Maybe it means we’re all finally ready to move on from the naked dress,” Pieri said.

Pieri considered Christie’s intensely “Game of Thrones” Bordeaux cape look a near miss. While costume-y, she said, “celebrating the end of a major epic fantasy drama sometimes calls for gilded robes.”

Christie was Brienne of Tarth on the popular, defunct HBO series, which won top honours for best drama at the ceremony.

Marielle Bobo, fashion director for Essence, said seafoam was another shade du jour — on Regina King, Brittany Snow, Jameela Jamil and Padma Lakshmi.

“They stunned in the soft pastel hue which complements a variety of skin tones,” Bobo said, also noting the red and pink parade that made for an “unexpected yet refreshing combination.”

There were some classic Hollywood metallic moments as well, including Julia Louis-Dreyfus in sequined gold and Rachel Brosnahan in navy blue, the latter offering a “modern take on Hollywood glam with architectural accents,” Bobo said.

Laura Linney, Chrissy Metz, Niecy Nash, Dominique Jackson and Patricia Clarkson embraced heavily sequined looks.

Kerry Washington, Angela Bassett and Amy Poehler all opted for pants, while Porter, who has made headlines with his red-carpet gowns, chose sparkling stripe trousers from Michael Kors and a huge statement hat with a towering brim on one side by Stephen Jones. Porter ended up making history later as the first openly gay man to win an Emmy for best actor in a drama series for his role of Pray Tell on FX’s “Pose.”

Misa Hylton, an MCM global creative partner and designer, was among the fans of Ava DuVernay’s custom Reem Acra tulle gown that screamed princess in Champagne gold crystals and sequin embroidery.

“It was so stunning,” she said. “Absolutely gorgeous. She looked really elegant and beautiful. I’m not used to her dressed up in that way. She definitely wowed.”

Also on her best-dressed list was Jamil. It was called mint by the designer, Monique Lhuillier. It had a pleated ball skirt with a single-sleeve bandeau top. She wore it with a bright orange lip and matching polish on her nails.

“She looked like a princess but she was very modern. I loved the bangs and her long hair,” Hylton said. “I love colour and I love unexpected.”

Among her misses: Greta Lee in an iridescent pistachio green puff midriff top with a full skirt. She made use of her look’s pockets on the purple carpet.

“I see maybe where she was going, but I didn’t think it looked good on her,” Hylton said. “Maybe if it was black it would have been a more classic look.”

Hylton was underwhelmed for a good half of the carpet.

“I was bored,” she said. “On the men, the brown tuxedos were just drab.”

But Jonathan Evans, style director for Esquire, praised men in brown like Dan Levy and others who changed things up. He also included “Brett Gelman with his rusty shawl collar tux and Kit Harington’s conspicuous air tie.”

Bobo counted Zendaya among her carpet wins.

“It gave me flashbacks to her Met Gala Disney moment,” she said, “but this time she served Poison Ivy realness with strawberry tresses to complement her green number.”

She also heralded Bassett, in a custom crimson look from Antonio Grimaldi, with sculptural neckline and dramatic cape detail to her top. Bobo said the actress “continues to make waves on the red carpet.”

But her top moment was Lee wearing Christopher John Rogers, a top and skirt look from his spring-summer 2020 collection.

“This was a major win for designers of colour, who rarely make it to the grand stage at these sort of events,” Bobo said.

Leanne Italie, The Associated Press