Much anticipated ‘Goon’ skates into theatres
Posted February 24, 2012 7:25 am.
This article is more than 5 years old.
The hockey movie Goon has caused both howls of mirth and some concern before even opening to the public, but all reactions have been drowned out so far by the buzz of anticipation.
The tale of an affable minor-league brawler had been on the radar of Canada’s hockey community for months prior to its wide release on Friday, despite speculation that it could glorify violence in hockey.
The movie — a long-time pet project of co-writer Jay Baruchel — features an A-list roster of Canadian comedic talent as well as a few big names from south of the border.
Seann William Scott of American Pie fame stars as the titular enforcer, with Canadians Baruchel, Eugene Levy, Alison Pill and Marc-Andre Grondin filling supporting roles. Calgary native Michael Dowse directs the film, which also features Liev Schrieber as an aging goon nearing the end of his career.
Although the movie depicts the rough and tumble life of an enforcer brought on board to help out an amateur team, early hype had given it plenty of appeal for the pros of the game.
From what I hear it’s a pretty interesting movie,” said Montreal Canadiens defenceman P.K. Subban, who signed a jersey for one of the producers. “I’ve seen all the previews about it. It looks pretty funny and I’m sure a couple of the guys will get together to see it for sure.”
Winnipeg Jets winger Chris Thorburn agreed, saying the trailers had landed the movie on his list of films he planned to take in.
Goon recounts the story of Doug Glatt, a gentle giant whose fighting prowess comes to the attention of a minor league scout after a scuffle in the audience at a local game. Glatt is recruited into the league despite his lack of skating ability and is enlisted to help protect a rising offensive star.
Schrieber’s aging brawler, Ross (The Boss) Rhea, illustrates the physical and mental strain that can result from a career forged with fists.
The film has been advertised as a comedy, and early reviews suggest it lives up to its billing as a raucous, irreverent look at the game.
Montreal sportscaster Ted Bird described the movie as a “delightfully inappropriate romp” in an early review, singing its praises for being “credible and fall-down funny.”
It’s frothy treatment of a serious subject, however, has given some pause.
“My impression of it was that I don’t necessarily know if they’re portraying the game the real way,” said Canadiens defenceman Chris Campoli. “I mean they’re kind of I guess hyping up the role of the enforcer in the game.”
Schrieber acknowledged the movie is intended as “a love letter” to the game’s hired muscle, but said the aim was never to glamorize violence.
The enforcers’ contributions to the game are often overlooked, he said, adding his own portrayal was inspired by the late Bob Probert.
“If I could say anything to … any of these guys, it would be, ‘You’re not underappreciated, you’re not undervalued. We know who you are and we know what you’ve done and we know what you’ve given for the game and for your teammates and we love you for that,” Schreiber said.
The film’s release comes at a time when the public has become increasingly vocal about the role of violence in hockey.
The deaths of three well-known enforcers, coupled with devastating on-ice hits and high-profile injuries, have some calling in recent months for the National Hockey League to take an aggressive stand against fighting.
Matthew Johnson of the Media Awareness Network says the film’s timing is unfortunate, but suspects it won’t trigger any prolonged backlash from anti-violence crusaders.
“I don’t think it’s glorifying any violence any more than broadcast hockey already is,” he said, adding the film will be ssen by a fraction of the audience that takes in Hockey Night in Canada each week.
The film will perform a valuable service if it highlights the pressure so-called goons face to boost the game’s commercial appeal by protecting stars and delivering entertaining clips for the television cameras, he said.
Paul Melia, chief executive of the Canadian Centre for Ethics in Sport, agreed the film has the potential to open an important dialog.
“Comedy can be used in two ways. It can be used to make light of a situation that’s very serious … but at the same time, if it’s ridiculing the very behaviour that we’re talking about, then it can serve a useful purpose to get us as a society and a sports community to look at this behaviour.”
Goon is also raising eyebrows outside the hockey community. The city of Toronto took down 38 posters advertising the film this week after receiving complaints about the sexually suggestive image they portrayed. The posters reportedly featured Baruchel making a sexually suggestive sign with his tongue and fingers.
City officials declined comment.